The relationship between me and the furniture design is characterized as homogenous to the point of adoration, Of the important things that you like in what you work, where the work is full of sincerity and dedication on approaching it with your mind as approaching it like your heart. 

I see it as one of the positive energies that must be taken out at its best, so the one important goals is the selection of the proposed themes for products that represent the utilitarian side as much attention aesthetic dimension which involves philosophical ideas and important to be posed and discussed like creative work in the fields of different art, so it is my choice for furniture is characterized by exclusivity and carrying ideas and a variety of topics, and my creativity sources to the ancient Egyptian era and “Art-Deco” direction and modernist world full of, multiple cultures, as a spin most of my work from afar to the orbit of past nostalgia of the Grecian which means the desire to return home, a deep longing for one of the periods of the past and some saw nothing bad.

There are some historical times taken by the nostalgia character paranoia as in the Republic Roma and the French Revolution which has caused this term to condemn the present because of perceptions Of the past, you may need rights to return to the past because you felt intimidated by the present or the future, which offers support and help to cope with the physical life and harsh, and travel to the past does not mean apostasy to the rear, while it may be unthinkable as the awakening of romantic of conscience, the moment freezes the wisdom of the past in our hands, as we consider rediscovery, and lightings new place and time, and the return may be to the nectar of the distant past or the recent past, and represents the past when some present missing, and the old things retain it. 

Memories and features fade little by little, we live today while the past lives within us, and while important awakens the artist about his past and he is deported to the past is time the artist comes happy those moments and tries to snatch part of it to keep holding until slip between his fingers and it becomes creative work commemorating the moment and becomes a new object Which blends the experience Of the present, which imposes itself on the scene, so the past can be When there is a lot Of creative people.

As popularized appearance Of features bio model “Art-Deco” in the eighties of the twentieth century with the manifestations of postmodern like various spheres of life through a variety of international designers then returned “Art-Deco” strongly in universal and contemporary design and that would do some large companies to reproduce unique and famous pieces for the greatest designers of “Art-Deco” and prevailed fondness I have lovers model “Art•Deco” to buy some Original pieces at high prices because of the inherent value of the aesthetic and professional skills and precious raw which it is difficult to obtain today and I’m interested in research exploration about the importance of the role played by the features of this model and that made him back strongly once again, despite the amazing technological advances and the big difference between the era of “Art-Deco” and Our contemporary societies.

And it is difficult to determine the basic features of “Art-Deco” Ardiko which is formed by a group of varied influences derived from most important references several as methods that

specialize in the field imaging and experiences of the early pioneers in the early twentieth century such as cubature and Russian Structure and Italian future …etc., and the creativity of “Art-Deco” did not stand through vulnerability with the ex-former only but also focused on research in the mine which is full of Rowers and shapes of young ladies.

And geometric shapes derived from the world of fashion with a good taste in terms of Ancient Egyptian and African and Eastern creations fungal and aerodynamic basics, also Modernists cared to discuss the aesthetic topics, which sit behind the full adjustment of use while achieving high-quality level is dominated by nature quantitative production, also reconsidered again towards the future decorative arts, especially after the active doctrine career “Early functionalism” outside France, where the Labor Party and the industry in Munich and the movement of Vienna separatism and School Glasgow in England and Aldistil in the Netherlands, which all aim to emphasize the functional design and the accordance of art with industry and adaptation to technological advances stunning which makes Of decoration in case Of marginal design.

Dr. Khaled Mehrez 

January 2013